week four, key practitioner lesson two

In today’s lesson we researched two other key practitioners - Wayne McGregor and Crystal Pite. We analysed videos showing their choreographic processes (Rehearsing Genus), (Can art affect change?) and this inspired us to try another creative task using their methods. I was particularly inspired by their attention to detail throughout their choreography and the intense and thorough thought process behind each of the movements that they created.


 In this task we had to recreate the movement of rain on a window. When watching the video of this, we considered how a singular rain droplet would move, any sudden changes in speed as a raindrop ran down the window, or the patterns created when different raindrops connected with each other. To begin with, we improvised on our own, thinking about the fluid movements of a singular raindrop. I found this quite difficult because our inspiration for the movement was very abstract and it was challenging to have to little interaction when recreating rainfall. However, I tried to think about different things that could inspire me – for example I tried to recreate the flowing nature of water using rippling gestures with my arms, subtle isolations with my ribs and gentle shoulder rolls. I also thought about how the rain could suddenly pick up pace as it rolls down the window and so I tried to add more momentum behind certain movements or enhanced delicate movements, such as the shoulder rolls, with sharp knee bends. After this, we tried the same exercise but in groups and we were able to interact with each other to explore either raindrops connecting, or bouncing off one another, and changing direction or speed. I enjoyed this much more, and I found that some interesting partner work was created through this form of improvisation which had purpose and meaning behind it. Some interactions were as simple as joining hands in order to pull ourselves forwards and others became more complicated and exciting, such as our heads connecting as we turned or leaning on each other and using counterbalance. By the end of the session, I felt that I had become much more confident and inspired with the task and my movements replicated the qualities of the rain on the window much more engagingly than when I began my first initial improvisation. I definitely think that I would use this form of improvisation in the future because it meant that my movements all had a purpose, unlike if I had have just danced to the music that we played without any form of inspiration behind it.

(Rain on the window video)

Throughout the past few weeks, I think that I have initially responded to the creative tasks with slight hesitation because I have been unsure what element to grasp onto first in order to start my choreography. However, I have worked well once I have broken down the task and focused on different adjectives or qualities to spark my creativity. Overall, I am proud of the material that I have created so far because I believe that I have shown a variety of dynamics and I have tried to perform my pieces with commitment and projection. I hope to work on my fluidity and ability to connect my movements with a little more ease and interest.

In text (Rehearsing Genus) : Youtube.com. (2019). YouTube. [online] Available at: https://www.youtube.com/watch?v=LWNQK8y50SI&t=113s  [Accessed 10 Nov. 2019].

In text (Can art effect change?) : Youtube.com. (2019). YouTube. [online] Available at: https://www.youtube.com/watch?v=SYv1vQ-5wKk&t=1s [Accessed 10 Nov. 2019]

In text (Rain on the window video) : You.tube. (2019). YouTube. [online] Available at: https://youtu.be/N-OYsfDUtZQ [Accessed 10 Nov. 2019].

Comments

  1. I like how you have stated what the task was, as it gives the audience an insight into your work. I love how you communicated what inspired you, such as Wayne McGregor's detail, then you could use this in your improvisation. To understand the task more, you could possibly put a video of you improvising on, as it will show how you used your arms, legs and upper body to portray the raindrops.

    You communicated that you wasn't very confident with improvising, however this is now becoming one of your strengths which shows improvements in such a short period.

    What happened when you joined a larger group? Was you more confident in your movement?

    Overall, this blog is very well set out, and I can see how your blogs have improved over the weeks!

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    1. Thankyou, yes I agree I will aim to do this more in my future blog posts. When I joined a larger group, I found the movements easier as I could interact with other people to recreate the movement of the raindrops. On my own I found it difficult to generate movement with such an abstract and unusual form of inspiration.

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  2. I love how you've stated what you found difficult in the improvisation task as well as how you overcame this. Did you find the task when you improvised as a group harder than individually? Why?

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    Replies
    1. Thankyou, I think that I have answered your question in my reply to Lucy.

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  3. Excellent work! Looking back, have these processes allowed you to form your own ideas for your own creative processes to create movement? If so, what are your new ideas?

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    1. A new idea that this process gave me was to improvise with auditory inspiration rather than imagery like we did in this task, by thinking about the dynamics of the beats, as well as subtle underlying rhythms. In the creative process, I explored improvisation with my music in mind, which I found to be an effective method to generate unique movement.

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